Its signal processing part was developed through a joint research project led by Kenmochi Hideki at the Pompeu Fabra University in Barcelona , Spain , in and was not originally intended to be a full commercial project. The software enables users to synthesize "singing" by typing in lyrics and melody. It uses synthesizing technology with specially recorded vocals of voice actors or singers. To create a song, the user must input the melody and lyrics. A piano roll type interface is used to input the melody and the lyrics can be entered on each note.

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You can use the singing voice quickly and customize your own vocal. USD A physical product will not be shipped. Complete the payment procedure in the Share-it web site. Simply drag and drop top quality vocals into your music project. You will never again need to search websites for phrases and a cappella voices. Compatible with Windows and Mac. You can make your computer sing, simply by entering lyrics and a melody. A large number of style presets more than are included to match a wide variety of music genres. A wide variety of styles are available, including lead vocals, background vocals, and robotic vocals.
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Bonada was known to have set about recording not just a song from a singer, but various ranges and pitch in an attempt to build a model that any song could be built from. The project was codenamed "Elvis" and lasted two years. It did not become a product at the end of its development. This was due to the fact this particular project was too large due to being based on spectral morphing techniques and each song required a professional singer behind it. While it did not become a product, the "Elvis Project" helped establish that a series of phonetics in a wide range of pitches would help build a synthesizer based on any model. It was pure collaborative research, and they did not think about selling at that time.
The compact GUI design consists of simple lines and colors to place more importance on the character of the real star—the composer—and the character of the piece. The control screen background has a dark tone, and with the other unified color tones, it creates an operating environment that is easy on the eye, even when composing for many hours. The screen expands to a maximum of 16 tracks, and uses 16 high-contrast colors to make it easy to differentiate all the information on the screen at a glance. Based on Universal Design concepts, we made the tool-bar icons able to change not only in color but in size as well version 3. To increase differentiation of minimized child windows on the lower-left, their borders have been special designed. The design of software is essentially the design of the GUI. The VOCALOID screen uses a black color scheme so that prolonged use does not fatigue the user's eyes, and important information is expressed in lines and text that resemble light with a unified tonal scheme. To enhance the musicality and individuality of the creator, we limited ourselves to the bare essentials, with neutral functional expressions only.